Concert Review – Al di Meola at the Tupelo (NH) Music Hall

I last wrote about guitar whiz Al di Meola a while back when I spoke about his tune “Mediterranean Sundance.” I mentioned there that he has been a force in jazz and fusion since at least the early ’70’s when he was a member of Return to Forever.

So when I heard he was appearing locally I grabbed a ticket tout de suite. Al alternates between acoustic and electric playing and this tour was billed as “An Intimate Acoustic Evening.” Frankly, I didn’t know if he’d be solo or have a couple of other guys with him but I didn’t really care.

But here’s the good part. After I  bought a ticket, I got notified that Al would be doing a ‘meet and greet.’ Now, the only time I’ve ever done anything remotely like that was on my long-ago Allmans tour and that wasn’t even the point. But this was only 50 bucks extra and so I thought, you know, why not?

The show was at 8, the meet-and-greet at 5. So I made up some bullshit, got out of work early and headed to the show. I wasn’t even really sure what Al would have for merch(andise) so I brought a couple of CD’s and a Sharpie so he could sign them.

At the appointed hour, after hanging outside with about 25 (mostly) middle-aged white guys carrying 1973 albums, they let us in. Al has a very, very nice woman working for him named Laura, a real doll. She seems to really enjoy working with him.

We gathered around the merch table and were told that we’d have a choice of a picture of Al or one of his CD’s. Now, I’ll be the first to admit Al is a pretty good-looking guy but I’ll take a free CD any day. I asked Laura for her favorite and she recommended Di Meola’s Melodia Live in Milano. I’m glad she did not only because it’s terrific but also with one exception, was pretty much the same band we were to see that night.

Now I thought that the next thing to happen was that we’d be ushered in, shake hands with Al and be ushered out the door. But no, a magical thing happened. We went into the auditorium (maybe 3 – 400 seats) and they sat us down in the first couple of rows. (I took that picture on top of the post.) And Al and his two bandmates, Gumbi Ortiz (percussion) and Fausto Beccalossi (accordion) were up on stage rehearsing!

And so for a good 35- 40 minutes the thirty or so of us got a private concert. It was fantastic! They were actually rehearsing some tunes so Al would stop them and ask them to speed up, slow down, take it from a certain bar, etc. I tell you I have never seen anyone of this caliber rehearse before so it was an interesting insight. (Actually, I once watched the Mormon Tabernacle Choir rehearse in Salt Lake City but that was a whole different vibe.)

Here’s a little taste of what that was like (my seat here, right in front of DiMeola, was better than my show seat):

Al spent a fair amount of time explaining the tunes to Ortiz, his percussionist. “It’s his first night with us,” he explained. Which is a joke as he and Al have been playing together off and on for something like 40 years. This tour was billed as not only being behind his new album Opus but also as a celebration of the tunes of Lennon and McCartney. The only one I recall, frankly, was “And I Love Her.” (At a youngish-looking 63, Al is well-versed in classic rock, at least from a listening if not playing perspective.)

And so after watching Al’s show for a while, he sat down on the edge of the stage and started meeting the fans. I had a couple of things I wanted to mention to him like telling him I was going to blog about this show, asking him if he liked blues, etc. All that went out the window because the first thing I told him is that I had last seen him at the Newport Jazz Festival in 2011 and I recalled him bitching about coming on last.

“Remember that?” he said to Laura who was standing nearby. “Half the guys couldn’t get into the country.” I don’t remember that part but Al has a memory like an elephant. One guy brought him a poster from a show in the early Eighties at the Blue Note in NYC and he remembered it like it was yesterday.

Al signed my CD and the book of his guitar music that I bought and advised him I might be able to play some of in 30 years. He signed some other dude’s 1977 Les Paul which was already autographed by … Les Paul! (Who the guy had seen 37 times.)

Here’s the requisite picture:

(Al’s the ageless guy on your right; I’m the guy on the left who fits the description of – as a co-worker I had once used to say – somebody swung at and missed, shit at and hit.)

Let me say before I get back to the show that Al comes across as the regular Jersey boy (Berfgenfield) he is. Nice guy, still has that Jersey accent, likes tossing shit around at the guys. I felt like the whole thing was worth it but also felt a little bit like a dopey fan-boy, like I was in line to see Santa Claus and I had my five minutes.

Anyway, back to the show. It was an outstanding night of music. Al and the guys played two sets but I’d been up since 5:30 and only stayed for one. I mentioned that live album that Laura recommended to me earlier. Here’s a taste of that. Same players, minus a second acoustic guitar. The interplay, virtuosity, and versatility among these guys are outstanding. And whatever negative associations you might have about the squeezebox should be chucked out the window. This music is warm and romantic.

Spotify link

Now, Al did not play electric guitar that night. (And, to his credit, did not bring 800 guitars with him that he switched among. One acoustic/electric sufficed.) But I’m here to tell you that if you’re a jazz-rocker and Al’s 1992 album Casino is not in your collection then there is likely a hole in your soul. It is a terrific album and I’ve been listening to it quite a lot lately.

Spotify link

If you dug anything you heard here, I highly recommend checking out Al’s extensive catalog. At 63 – and with a two-year-old (!) daughter, he admits to being a pretty content guy who enjoys fatherhood and still clearly enjoys getting out and mixing it up with an appreciative audience.

Spotify link


29 thoughts on “Concert Review – Al di Meola at the Tupelo (NH) Music Hall

  1. This sounds really cool, Jim. I’ve actually never done a meet and greet with anyone famous – I guess I’m simply too shy; depending on who it would be, frankly, I might also be speechless!

    As for Al Di Meola, decades ago, I taped an album on music cassette. Since I kept most of my MCs, that tape is probably still floating around somewhere. I guess you know the record: “Friday Night In San Francisco,” together with John McLaughlin and Paco de Lucia.

    While I’m blown away by the skills of these guitarists and wish I could play only 10% as good, I never really got into their music. Part of it is I really like vocals, especially harmony vocals. It’s an important reason why I got into The Beatles and dig bands like the Eagles and Crosby, Stills, Nash & Young.

    Put in a different way, I acknowledge “In Memory of Elizabeth Reed” and “Jessica” are masterpieces, but I’m always going to prefer “Midright Rider” and “Ramblin’ Man.”


    1. For me I wouldn’t want to live in a musical world where there were no vocals, sure. But I can very easily go back and forth between vocal tunes and instrumentals quite happily. And that album with McLaughlin? Funny you should mention that. I brought that CD with me and Di Meola signed it! Now I find that particular one to be a bit excessive since they seem to be more interested in showing off for each other than playing. I’d urge you to listen to the post I did on “Mediterranean Sundance.” The version there is tighter, crisper, better than the live one IMHO. As to the meet and greet, as mentioned, mixed bag. I don’t like being a fanboy. But by the same token it was cool to meet Al. I didn’t feel worshipful. Now if I meet McCartney some day, well then I melt into a little pool of liquid.

      Liked by 1 person

      1. So funny, McCartney was exactly who I was thinking about when I said I might be speechless!

        I wouldn’t even know how to address the man. I would wanna say Paul, but that would seem to be inappropriate. So should it be Sir Paul? Sounds weird to me. Or just Sir? Or Mr. McCartney?

        As you can see, I’d have some real issues here! ๐Ÿ™‚


        1. Yeh, I’d think of a bunch of stuff to say and then at the moment of truth I’d blurt out something like, “Mr. McCartney Sir Lord Your Honor. I just wanted you to know that, well, you’re my biggest fan!” BTW I should mention that after seeing DiMeola I burned my guitars a la Jimi Hendrix. Ate ’em too for good measure. We’re not worthy!

          Liked by 1 person

  2. You’ve wrote some good pieces Doc but this is up near the top for me. So much great stuff sprinkled with your personal touch. Felt like I was there. Both you guys are looking pretty casual in the pic. Enjoyed this one.


    1. Yeah, I dug the whole thing. Do me a favor. If you listen to nothing else, listen to the track from Casino. If you don’t like it, I’ll eat my blog. It’s an album CB should spin at least once.

      Liked by 1 person

      1. i was listening to the cut you posted while I was typing. Have that album but i will for sure slap it on for a hard listen. I didn’t need the nudge but thanks anyway. CB was a RTF guy so I followed the band members solo careers. Funny I’ve been listening to Stanley Clarke a bunch.


        1. Oh man, it’s so good. I don’t think I’ve enjoyed a fusion album that much in quite a while. That club I went to is where I saw Stanley a few months back. I should have mentioned that to Al but there were a lot of distractions despite how it looks in that picture.

          Liked by 1 person

  3. Great guitarist. Great choices, too.

    Strangely, the YouTube video for Chasin’ the Voodoo plays for me but although the track is listed on Spotify it doesn’t play there – it’s the only one from Casino that Spotify refuses to stream. Even more weird, Casino doesn’t come up in my Spotify search for albums by Al di Meola, nor in a search for ‘casino’ and yet your link finds it no problem. So I’m curious. How did you find that Spotify link, Jim?


    1. Sometimes the obvious answer is the answer, Mr. Bass. Easy-peasy. Go into Spotify and search on Chasin’ the Voodoo and voila the song pops up. As does the album. I can’t explain it but there it is.


        1. I’m glad you checked with them. I’d be curious as to whether for some licensing reason that album is blocked in the UK.


  4. Not a name Iโ€™m familiar with, though thatโ€™s just cause of the music I tend to listen to. This sounds like a really pretty great night to experience… like you say, itโ€™s not often folks like us would get a glimpse of a rehearsal.

    But yeah, as much as Iโ€™m unfamiliar with the chap, I really enjoyed this one.


    1. Al is by no means a household name but he is mega famous in the jazz world. Jazz is somewhat of an acquired taste and I personally needed somebody to guide me initially through it. I was (and am) primarily a rocker . But if you dug any of the tunes you heard, I’d encourage you to stick with it. Jazz is – as my wife once said – very rich and it’s satisfying in a different way than rock. It’s burgers and beer vs pheasant under glass and wine.

      Liked by 1 person

      1. I can appreciate a whole load of jazz way more than I can enjoy it. I have the odd album that transcends any sort of label (I enjoy Kind of Blue and Love Supreme anytime), but mostly I’ve needed a guide to find my way around that end of the street.


        1. Yeah, we all start that way. If you ever think you really want to pursue it, check out Musicophile’s site on my blogger roll. He covers jazz and classical extensively and you just might find something tasty. And of course I try to cover it a couple times a month.

          Liked by 1 person

        2. Itโ€™s a genre that covers so much ground, eh? Itโ€™s just sifting through it to find the stuff that appeals… so far Iโ€™ve only really checked out the milestone albums by a few folks, but I know jazz goes beyond Miles, Coltrane, Mingus, Monk, etc. and thereโ€™s a whole bunch of stuff for me to delve into.

          Anyhoo, Iโ€™ve done gone followed them and hopefully Iโ€™ll discover something Iโ€™ll be inspired to investigate further/ pursue.


  5. He sounds like a really nice guy. I bought the Casino LP after it came out (’78?), and in ’85 his tune “Marina” was in regular rotation at the jazz station I worked at. I loved much of that fusion stuff, and it still has a place in my heart. Coincidentally, my brother and I drove back to Ohio from Jersey yesterday, and I popped in live Return to Forever somewhere near DuBois, PA.


    1. I somehow overlooked Casino but later caught up with it. Boy is it good. I haven’t enjoyed fusion this much in quite a while. Al was totally chill, just a regular guy (with blazing talent.)

      Liked by 1 person

What would you say?

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.