Back in the ’70s, the No Nukes movement was alive and well (and yours truly even attended some protests.) I did not go to this concert but I remember the event well. And my first experience of the E Street Band was in this timeframe, specifically in 1977 when Bruce was in that “can’t record due to lawsuit” limbo. His most recent album had been Born to Run- Darkness was still a year out. (Seeing all the cool bands is damn near the only benefit I can think of about being old.)
In an article in Rolling Stone called Bruce Springsteen on Why He’s Finally Releasing His Full 1979 ‘No Nukes’ Shows, the Boss says. βI had some voodoo thing about that. Film and television were relatively cool mediums, and we were a hot band. I said, βIf you want to feel that heat, you need to be at that show.’β
According to RS, he “made a rare exception to that rule in September 1979, when he agreed to perform at two No Nukes benefit concerts at Madison Square Garden alongside Jackson Browne, Tom Petty & The Heartbreakers, Crosby, Stills & Nash, Bonnie Raitt, Jackson Browne, the Doobie Brothers, and Carly Simon.
βThey were filming it,β Springsteen says. βThey said, βYouβll have a choice of whether youβre in the movie or not.β That meant I didnβt have to think about the cameras since I knew I could throw it away if I wanted to.β While he let the filmmakers use a few songs, most of them wound up in a vault.
Well, you’re in luck Springsteen-O-Maniacs. On November 16, a documentary calledΒ The Legendary 1979 No Nukes Concerts,Β is released for purchase on all digital film outlets. Three days later, it will be available as a two-CD plus DVD or two-CD plus Blu-Ray package (as well as on LP), and on the 23rd it will be up for digital rental.
The concert – held in November 1979 – did not come out of nowhere. The Three Mile Island meltdown had happened several months prior. Musicians United for Safe Energy approached Bruce to “help guarantee that Madison Square Garden would be packed for the final two shows of the five-night stand.
βThat was a critical moment,β says Springsteen. βMy friend Jackson Browne was very involved. Heβs an activist and I was sort of a hired gun. But I was curious to see where else I could take my music, and where it would be helpful. We had enough success where I felt like I should be doing something with it, and that was where I was at that moment.β
Among other tunes, Springsteen played a then-new song, “The River,” which was basically the life story of his sister Virginia who was (somewhat uncomfortably) in the audience. βThat song was a real turn in my songwriting,β says Springsteen. βI felt like I had broken through to a narrative type of songwriting that I previously hadnβt quite [figured out],β he says.
βThat turned into NebraskaΒ andΒ The Ghost of Tom Joad,Β Devils and Dust, and so many other things. That one song birthed so many other incarnations and so much other music. It was a really critical song in my development and I knew it when I wrote it.β
The film ends with a nine-minute version of the 1961 Gary U.S. Bonds classic βQuarter to Three,β complete with false stops and Bruce collapsing on the stage James Brown-style and getting revived by Clarence Clemons and a towel-waving Steve Van Zandt. (That’s Show biz – ME)
It also made him realize once again that he erred in not allowing the band to be filmed on many other occasions back then. βI wish we had filmed all the time,β he says. βIt was a mistake. It was just a young, youthful, insecure, mistake at the time. I wish weβd filmed at least every tour weβd done once. That would have been really nice.”
Looking ahead, Springsteen hopes he can return to the road next year to finally support 2020βsΒ Letter To YouΒ with a tour. βIβm hoping,β he says. βLike a lot of people. Everyoneβs hoping. Weβre just trying to figure out how to do that, like everyone else. If we can, if itβs possible, we will be [touring]. If itβs just not safe or not practical, weβll be waiting it out like everyone else. Weβre waiting and doing our best to see.β
In the meantime,Β No NukesΒ will allow concert-deprived fans to experience the E Street Band at the height of their powers. βItβs wonderful,β Springsteen says. βIf you missed 1975 Hammersmith Odeon, itβll knock your socks off. And if you werenβt around in 1979, it will show you what we were all about.β
Shoutout to Rolling Stone for much of this content.
Oh, and Happy 72nd birthday, Bruce.
Thanks, Jim, this definitely looks intriguing. For all the Springsteen-O-Maniacs, who haven’t see it yet, here’s the setlist from brucespringsteen.net:
Prove It All Night
Badlands
The Promised Land
The River
Sherry Darling
Thunder Road
Jungleland
Rosalita Come Out Tonight
Born To Run
Stay
Detroit Medley
Quarter To Three
Rave On
And here’s the trailer. The amazing thing is Springsteen pretty much still rocks like this today at age 72!
https://www.youtube.com/watch?v=HUO41TDicD0&t=105s
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I definitely plan on renting it when it’s available, that’s for sure.
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Thatβs a great era to get a live Springsteen show from.
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Absolutely. The band in its prime.
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Awesome! I canβt wait to see it.
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You and me both!
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Itβs like a 13 song appetizer for his full concerts – definitely will check it out!
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In his prime!
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I remember seeing a clip from some special where they showed the crowd βBroooocing!β and Petty making the comment something to the effect βItβs a good thing his name isnβt Fredβ π
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Actually someone tells Petty not to worry, they’re not booing, they’re just yelling “Bruce.” Petty says “What’s the difference?”
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Ouch. A touch jealous perhaps ?
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Dunno. It was pretty funny when he said it in that drawl of his. Petty was great but there aren’t too many performers in Bruce’s league.
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Agree. Might have been him just joking. Iβm glad that Springsteen is finally doing things like this. He also has been releasing classic shows of his like once a month or so for sale on his website – ones that were all the classic bootlegs – nice to hear them in better quality.
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Back in the day there were only a few clips of Bruce kicking around. The ‘Rosailita’ one and a couple from this show. ‘The River’ if I recall. I remember some controversy around Bruce not making a statement about the cause. He let his music do the talking and helped raise dough. Nuff said. I was fortunate to see this stage of his career a couple times. Hard to beat him back then.
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There is also a video from London that’s pretty good. Looking forward to this one. Didn’t realize you’d seen him in this era. The band in their prime.
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June 78. Probably close to the same set list. The show was honed to the bone. If you google BS Vancouver Queen Elizabeth Theater there’s the set list and someone posted some pics from the show. You sent me down memory lane.
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I’m pretty sure I saw an audience picture with a guy who looked strangely like CB.
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I think the capacity of that place was between 2500 – 3500. Probably the loudest show i was ever at. Id hop down to see him in Seattle too. I think it was a Xmas eve show but Im a little foggy on that one. I dont have instant recall like you.
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I wish I did. I regret I didn’t save every ticket stub. BTW, I re-recorded that classic rock medley. It will make its way to the blog sooner rather than later and let the chips fall where they may.
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I do remember much of those early shows and the cuts he played. Clarence ripped up ‘Paradise By the C’. He got people running back to their seats at intermission. The US Bonds was a killer encore. Not one weak spot.
Good for you on pulling the trigger. Ill be tuning in. I hope folks get to hear daddy cool do his thing.
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Holy crap – how did I miss this news? Springsteen and E Street in their prime
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Right. Exactly what I’ve been saying.
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Then again that prime period lasted an unfairly long time
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Yes, the loss of Federici and Clemons changed everything. And they are no longer young men. But hey, as long as they can still play upwards of 4 hours, how can we complain?
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Well, we’ll get to see if those marathon shows are here to stay next year if rumours are true – along with the Letter To You songs there are rumblings of Tracks Vol 2 coming real soon
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I’m holding out for “The Wild, The Innocent pt. 2 – Return to the Boardwalk.” Wherein we find out what ever became of Sandy, Rosalita, Billy, Diamond Jackie, Kitty, etc.
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It’s rumoured to be more of a whole ‘lost’ albums project – the ‘electric’ Nebraska, the shelved album from the mid-90s…. but according to The Promise, Billy works downtown.
As for the rest… I like to think there’s a little loophole in the space time continuum that allows that little piece of Asbury boardwalk life to go on forever and unaltered somewhere just out of reach of all the modern world and its bullshit.
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Yeah, I like that space-time continuum thing. Somewhere Bruce’s shirt is still caught in the Tilt-a-Whirl.
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The Wild The Innocent.. just keeps going up in my rankings. I listened to it in its entirety while queuing for petrol yesterday and it still sounded amazing – can make anything better. If I revisit my listings itβs gonna jump a few places
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Still my favorite. There’s a warmth, a romance and a jazziness he had that Landau managed to beat out of him.
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Tony, when you comment, do you click any of the boxes that are there? I ask because every time you ‘like’ or comment on something, it sends me an email telling me you’re a new follower. I checked with WordPress on this and that was their only guess. They wanted me to first rule that out.
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Crikey. No I tend to – as Iβm doing now – do so through the app
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The phone app? Ok, well that’s good to know. From an “ability to communicate” point of view, this is no big deal. Doesn’t affect you at all. But for whatever reason, your comments and/or likes trigger an email to me. (This one didn’t.) Gremlins I suppose.
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Yeah or sometimes just replying through my notifications on the desktop app – sorry if I’ve been cluttering up your inbox
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So odd. Hasn’t happened these past two comments. I won’t worry about it unless it gets crazy. If it does, I can take you out of the ‘subscribed’ list and you can re-subscribe. Could be something as stupid as that.
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